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Looking at cheap air tickets and passenger protections on airlines

In 2011, the US Department of Transport introduced a series of new regulations to offer greater protection to airline passengers. The intention is to improve the level of service actually delivered at airports and to achieve a better level of transparency on fares before you book. This is a brief summary of the new protections:
1. Lost baggage
If a bag is lost, the airline is required to refund the fee charged for carriage, and to hold that reduced fee on any continuing or return flights. Compensation is also to be paid. Although this is not intended as a substitute for you carrying travel insurance, basic losses should be covered immediately when loss or damage is obvious. Compensation remains payable even if the bag is not lost but merely delayed.
2. Bumping
Airlines continue to overbook, especially when cheap air tickets are held, despite the best efforts of regulators worldwide. The new rules double the amount of compensation payable if you are denied a flight. If you cannot be delivered to your intended destination within two hours of the scheduled time, you're entitled to compensation of double the face value of the ticket up to a maximum $650 per ticket. But if the delay is longer, you're entitled to four times the face value of the ticket up to a maximum of $1,300 per air ticket. These compensation amounts will be adjusted to stay in line with inflation every two years.
3. Transparency
Applicable charges for providing meals, handling bags and so on must be listed by all airlines on their website. All government fees and taxes must be included in the ticket prices collected. Unless the government fees and taxes rise, the prices cannot be increased after you pay.
4. Reservations
If you make a reservation for full-price or cheap air tickets, the quoted prices must be held for at least 24 hours. If you decide to cancel, the airline is not allowed to impose a penalty.
There was no variation of the tarmac delay rules. Secretary LaHood has been satisfied by the improvement in airline's performance although the new rules do require more disclosure on delays and cancellations to improve monitoring of the airlines.

Keeping cheap car rental rates means delaying new purchases

The world sometimes tries to simplify itself when the going gets tough. Reducing everything to the core activities and doing them well is often the way just to survive if prospering is too difficult. Although the US recession is supposed to be over, there's little sign of it in the economy. People are staying home and not spending. It's still thought prudent to pay down the debts. In such circumstances, one of the most obvious savings is to put off replacing the old with new. With a little patching and mending, we can all get by with what we have. As applied to the car rental companies, this means putting off renewing the fleet. It's cheaper to recruit a few extra maintenance staff to keep the existing vehicles running smoothly than to sell off each block of vehicles at fixed dates and replace with new. Indeed, most of the publicly quoted rental companies have been reporting increased profits as a result.
The problem now falls on to the manufacturers. For the last few decades, the US manufacturers have relied on the steady buying of standard models in volume. Although the prices charged were heavily discounted, this is money turned over quickly. If sales have to go through a dealer network and rely on credit from lenders less than excited by lending, sales are always going to be slow. The latest figures from the motor manufacturers show a 40% drop in sales to rental fleet customers.
GM's sales dropped by almost 20% and it's now losing market share to Ford, Chrysler, Toyota and Honda. That's the case even though Ford's sales have also fallen slightly. This leaves the labor market in the manufacturing industry in a worried state. If rental companies do not resume their volume buying soon, there will be lay-offs. Yet, with those rental companies maximizing their return on the capital they have invested in their stock of vehicles, profits are up and, if you are prepared to accept an older model, cheap car rental is within your grasp. Which is more important. Being seen in a brand new fleet car or paying a cheap car rental rate and driving a tidy older vehicle?

How big is the enthusiasm for adopting Cialis among the French?


When it comes to France, it all stems from the CanCan and Paris as a center for artistic nudity on the stage. Names like Moulin Rouge have passed into mythology. And we are used to think about Frech as a sexy natonality. Yet, when it comes to the reality, the French are probably just as boring as the rest of us and rather tired of being typecast as the greatest European lovers - probably preferring to leave that particular label for the Italian stallions. This does not mean, however, that the French are not interested in their own attitudes to sex and so it's interesting to see the publication of a new research report from the University of Paris.

Attitudes to sex in France and Cialis

Like the rest of the world, there was a major population explosion in France immediately following the end of World War II. Their Boomers are rapidly advancing into retirement and the French healthcare services are preparing themselves to deal with the anticipated rise in demand as bodies and minds go into decline. Because France has socialized medical services, the cost to the taxpayer is also an important factor in this research which will help decide where resources are most needed.
The results currently show about 65% of men aged 70 years have some degree of erectile dysfunction. This rises to 78% by the age of 75. This seriously undermines the quality of life for those couples who would prefer to maintain an active sexual life. Yet with the men suffering major psychological problems in the loss of self-esteem, there's little enthusiasm for adopting Cialis even though it has proved highly effective in the treatment of seniors. In other words, the French seem to be involved in what the researchers call pathological aging. There are treatments available both for the erectile dysfunction and associated heart and lower urinary tract problems. But French men seem reluctant to seek help. Presumably American men will take Cialis and have fewer problems on the relationship front. They are prepared to live life to the full and not give up.

Cheap fights and the changes in comfort


Some of you reading this article may be seniors. Remember there can be some very attractive cheap flights on offer to you in your silver and golden years. You will be old enough to remember what it used to be like or, for those of you with richer parents and grandparents, there will be stories from the earliest years of powered flights. Not to put too fine a point on it, the first sixty or seventy years were positively dangerous. We're used to aircraft being the safest form of public transport with the fewest number of fatalities per passenger mile. But when they were just starting out, engines would fail and, in the wrong conditions, there would be damage to the wings or control surfaces. If you were lucky, the landing was a controlled crash. If you were unlucky, the chances of walking away were small. Yet flying was the glamorous way to travel. Mostly, it was the preserve of the rich and the reckless who huddled together in the noisy and vibrating cabins as the plane slowly made its way in the direction of the stated destination.
Only in more recent years have the cabins been pressurized and soundproofed. Now we can look out of the windows and not be frightened by seeing the wings flexing up and down as we might expect in a bird. Yet, for all there's been an improvement in the general level of comfort, the seats remain uncomfortable in the general cabin area, there's very little leg room, and sleeping is difficult on long hauls. Yet this is the price we willingly pay for cheap flights. If we don't want airlines to charge higher rates, we have to tolerate them cramming more seats into the same space to make their profit from passenger volume. And talking of volume, the rise in the number of people who are overweight is making the seats even more uncomfortable for everyone. So here's the big decision for you. Is price so important you will always prefer cheap flights no matter how uncomfortable? Or will there come a point when you will pay a little more to be comfortable?

U.S. Special Envoy Hannah Rosenthal Visits her Family's Heritage Sites in Poland

This post also appears on my En Route blog for the Los Angeles Jewish Journal


By Ruth Ellen Gruber

Hannah Rosenthal, the U.S. Special Envoy to Monitor and Combat Anti-Semitism, took time out on a trip to Poland and Germany this month to honor her ancestors at sites of her own family history.

Rosenthal’s family came from what is now Bytom, Poland. All were murdered at Auschwitz in 1942 except for her father, who was the last Rabbi in Mannheim, Germany, and survived interment in Buchenwald.

In a post Tuesday on the State Department’s official blog, Rosenthal recounted that she visited sites in Bytom where her family had lived and also visited the Jewish cemetery there, hoping to find the graves who her grandmother and uncle, who had died before World War II “and therefore would have graves.”

Visiting Bytom, she wrote, was “both exhilarating and devastating.”

When we went to see the gorgeous synagogue, where Dad had celebrated his Bar Mitzvah and loved to tell us great stories about, there was no synagogue. Just a dilapidated gray apartment building. When we went to the cemetery, we hoped to find the graves of my grandmother and uncle who died before the war—and therefore would have graves. But Polish activist Wlodzimierz Kac had something else in mind. He had researched my family and ended up showing us 18 Rosenthal graves. My grandmother Selma, my uncle Martin, great and great-great grandparents, great and great-great uncles, and aunts and cousins. Eighteen Rosenthals who we could honor. I am the last Rosenthal in my family. 
Bytom now has not a single Jew and hardly any Jewish presence. Where once a bustling community thrived, there is not one single survivor. We visited two of the places Dad’s family had lived. He had described his home’s music room and parlors. Now the buildings are dark, dank, depressing. And mostly empty. We wondered how we could help restore a school or a prayer house, or clean up the cemetery, when there is no one to keep it up. The absence is profoundly present.

During her trip to Poland, she wrote, she met Jewish community leaders and representatives of the Auschwitz-Birkenau Foundation, the Forum for Dialogue Among Nations, and the Judaica Foundation.


I learned about the present-day Jewish community in Poland and civil society engagement on Jewish history and culture. These organizations are doing important work, fostering interaction between Jews and non-Jewish Poles through dialogue, education, and cultural exchange. Several programs focus specifically on fostering interaction among Polish non-Jewish and Jewish youth. It was moving to meet the extraordinary people working to keep the memory and spirit of Poland’s absent Jews alive.

On July 9, during her visit to Germany, Rosenthal took part in a ceremony in Mannheim at which a “stumbling stone” memorial was dedicated to her father. Stumbling stones are plaques the size of cobblestones that are placed on the street in front of houses in which Holocaust victims and survivors lived.


This post also appears on my En Route blog for the Los Angeles Jewish Journal


Photo
The replica of the Neolog Synagogue in Bratislava, next to the highway. Photo(c) Ruth Ellen Gruber



By Ruth Ellen Gruber

I’ve already posted on this blog about the new ITunes app called Oshpitzin that uses smart phone technology to teach and tour pre-WW2 Jewish Oswiecim—the town where Auschwitz was built—which before the Holocaust was a majority Jewish town.

In this JTA story I write about how this project and the Lost City project in Bratislava—which puts back on the map the old Jewish quarter of the Slovak capital, which was utterly demolished by the Communist authorities in the late 1960s to built a new highway and bridge across the Danube. Centerpiece of the Lost City project is a replica of the destroyed Neolog synagogue, on the spot where it really did once stand.


In Poland and Slovakia, restoring awareness of a forgotten Jewish past 

By Ruth Ellen Gruber · July 23, 2012 
KRAKOW, Poland (JTA)—Thanks to a new iTunes app, new tourist routes and a towering replica of a destroyed synagogue, two “lost” Jewish cities in Europe are back on the map. 
One is the historic Jewish quarter of Bratislava, the Slovak capital, which survived World War II only to be demolished by communist authorities in the late 1960s. The other is Oshpitzin—the prewar Yiddish name for Oswiecim, the once mainly Jewish town in southern Poland where the Auschwitz death camp was built. 
The two projects differ in scope and structure, but their goals are the same: to restore awareness of the forgotten Jewish past in an effort to foster a better understanding of the present—for tourists and the locals. 
Read full story here

Wonderful Exhibit in Warsaw of Gwozdziec synagogue panels

A version of this post appeared on my En Route blog for the Los Angeles Jewish Journal


Preview of the Exhibition. Photo courtesy of Barbara Kirshenblatt-Gimblett


By Ruth Ellen Gruber

A wonderful exhibition opens today at the Arkady Kubickiego (Kubicki Arcade) of the Royal Castle in Warsaw and runs til the end of the month—the colorful ceiling panels that have been painted this summer as part of the Gwozdiec synagogue reconstruction project.

The reconstruction of an 85 percent scale model of the tall peaked roof and richly decorated inner cupola of the wooden synagogue that once stood in Gwozdziec (now in Ukraine) is a project of the Handshouse Studio and the forthcoming Museum of the History of Polish Jews—I wrote about the first stages of the project last summer, when students, master timber-framers and volunteers gathered in Sanok, southeastern Poland, to build the structure, using hand tools that would have been used centuries ago. The reconstructed roof and cupola will be a major installation at the new Museum, which is due to open in the autumn of 2013.
Its elaborate structure and the intricate painted decoration on the cupola ceiling will reproduce a form of architectural and artistic expression that was wiped out in World War II, when the Nazis put the torch to some 200 wooden synagogues in Eastern Europe. Many of them, like that in Gwozdziec, were centuries old and extraordinarily elaborate, with tiered roofs and richly decorative interior painting. 
The Gwozdziec Synagogue, built in the 17th and 18th centuries, was a “truly resplendent synagogue that exemplified a high point in Jewish architectural art and religious painting,” the architectural historian Thomas C. Hubka, an expert on the building, has written.

This summer, at workshops held in synagogues around Poland, teams of students and volunteers have been carrying out the colorful, elaborate paintings that cover in the interior of the cupola—and it is these that will be displayed for the next two weeks in Warsaw.

It’s terrific—and fascinating—work, and this will be a rare chance to see the panels up close before they are mounted as part of the cupola installation!

Smartphone App for Oshpitzin/Oswiecim

A version of post also appears on my En Route blog for the Los Angeles Jewish Journal





By Ruth Ellen Gruber


The latest Jewish travel app for smartphones and tablets takes you to a place that no longer exists except in memory: Oshpitzin.

Oshpitzin was the Jewish name for Oswiecim, the small town in southern Poland where the Nazis built Auschwitz which had a majority Jewish population before the Holoc
aust -- I’ve written a lot about the town and its difficulty in balancing its Holocaust identity with its pre-WW2 past, starting in the mid 1990s, when I dealt with the issue in the long chapter “Snowbound in Auschwitz” in my book Upon the Doorposts of Thy House: Jewish Life in East-Central Europe, Yesterday and Today, which was a sort of diary and meditation on nearly four days blocked in Oswiecim by a freak snowfall…...

Last year, the Auschwitz Jewish Center—a prayer, study and research center in Oswiecim—launched a project aimed at putting Oshpitzin back on the map. It started with a printed guidebook and followed on withan interactive web site, www.ospitzin.pl, that includes a map, pictures, history, testimonies and more.

Now, the Center as followed through with a smartphone App that can be used by armchair travelers as well as actual visitors to the town. It has an interactive map, videos, audio, photographs, etc.

Most of the sites the project—be it the guide book, the web site or the App—describes no longer exist. But it all entails a way to learn about the Jewish history (and general history) of a town that existed for hundreds of years before “Auschwtiz” changed its identity from a place of Jewish life into a place of Jewish murder.

As of now, the App is available in the iTunes store for IPhone and IPad—but it will soon be available on Android, too.

Staying in Krakow



This post also appears on my En Route blog for the Los Angeles Jewish Journal




By Ruth Ellen Gruber

I've just been to Krakow for the last few days of the annual Jewish Culture Festival - the best party around. This year I did a couple of lectures to groups who were attending (and observing) the festival. It led to some reminiscing with friends who -- like me -- have been going to the Festival since the early 1990s.

One of the things we talked about what where we had stayed in Krakow in those early years -- because, until the late 1990s, there were very few if any places to stay in Kazimierz, the old Jewish quarter where the Festival now takes place. Nowadays, there is a wide variety of choices all over the city -- from top flight hotels to inexpensive hostels and rental rooms and apartments.

In the early years, the artists at the Festival used to be put up at the Forum Hotel -- I should say, the late Forum Hotel, because the Forum as it was then does not exist anymore. It is a hulking empty relic on the Vistula that serves as a prop for huge advertising posters....

I used to stay at the Hotel Pollera, an old-fashioned place in the Old Town near the main market square, or Rynek, about a 20-minute walk (or more) from Kazimierz.

For the past dozen years, though, I've stayed in Kazimierz itself whenever I've been in Krakow -- usually at one of two hotels that, I have to say (full disclosure), are run by friends.

One is the Klezmer Hois, operated by Wojtek and Malgosia Ornat, the couple who founded the first Jewish-style cafe in Krakow. I still remember vividly sitting with Wojtek in 1992 or so, at an umbrella-shaded wicker table, eating strawberries and looking out at the devastation of Szeroka street, the main square of Jewish Kazimierz, which then was a ring of dilapidated buildings.

The Ornats opened Klezmer Hois -- their third locale -- in the mid-1990s, in a building that once housed a mikvah. It evolved into a hangout for Krakow Jews and visiting Jewish artists and others -- and it still fulfills that purpose, at least for us older crowd. Sitting in the garden during Festival time, is a delight, a constant round of people dropping by, conversing, eating, drinking. Klezmer Hois is, actually, the one "Jewish style" cafe in Krakow that I go to. The Ornats also run the Austeria Jewish publishing house (which has published my book "Letters from Europe (and Elsewhere)") and the associated Austeria bookstore.

The hotel rooms are old-fashioned and up creaking flights of stairs -- and the breakfast is spectacular, a delicious combination of table service and partial buffet.


Breakfast at Klezmer Hois Photo (c) Ruth Ellen Gruber


The other hotel in Kazimierz that I stay in is the Hotel Eden, on Ciemna street, a wonderfully friendly place, founded in the mid-1990s by the American Allen Haberberg, that started out as a kosher hotel. Though no longer kosher, the Eden still caters to Jewish travelers and has a mikvah -- which has been used for conversions as well as ritual baths. Each room has a mezuzah on the door, and there is also wifi throughout the building. I asked Allen not long ago why the Eden was no longer kosher (although it will still provide kosher food for those who ask) -- he told me one reason was that there are now good kosher caterers as well as an upscale kosher restaurant (the Olive Tree) in Krakow.


Rabbi Edgar Gluck and Allen Haberberg in front of the Eden Hotel. Photo (c) Ruth Ellen Gruber



Also on this trip though, for the first time in a long time, I stayed for a couple of nights near the Rynek, at the Hotel Saski -- where I think I stayed with my mother in about 1992.

It doesn't seem to have changed much -- but the Old Town has.... Krakow is the city that doesn't sleep ... at 3 a.m. the streets were as lively as in the middle of the afternoon.


Lobby of the Saski. Photo (c) Ruth Ellen Gruber

Smart phone apps for Jewish sites in Warsaw and Berlin

 This post also appears on my En Route blog for the Los Angeles Jewish Journal

 By Ruth Ellen Gruber

I’ve been on the road for the past 10 days, and I have a backlog of material to catch up on with postings…. both items I have seen online and on-site visits I’ve made myself.

One new development is the release of smart phone apps that guide you around several Jewish sites in Berlin and Warsaw. Smart phone and tablet apps are clearly the self-tour guides of the future that are becoming the present….

The new ones I’ve noticed recently include an app that guides you around the Warsaw of Holocaust hero Janusz Korczak. Called “My Warsaw,” it is a project of the forthcoming Museum of the History of Polish Jews—it’s available for free on the iTunes store, but I’m not sure about other platforms. This is what Virtual Shtetl says:
The application spans two tourist routes. The first one guides you through places related to Janusz Korczak’s early and late childhood while the other shows Korczak’s life story during World War II. Both routes comprise almost fifty described places. The “My Warsaw-Warszawa jest moja” project shows now nonexistent Warsaw through pictures, audio recordings, a quiz, quotations and the augmented reality system. It sets an example of a novel approach of learning by having fun by means of state-of-the-art technologies.
You can download this bilingual Polish-English application on GooglePlay and AppStore for free.
The application is designed to be a modern tool for learning and teaching history. The only thing you have to do is take your Smartphone with you and take a walk with your family around Warsaw or organize a memorable outdoor history lesson. Tourists may use it as a city guide while Warsaw residents may discover their home town anew.
Another new app guides users around three historic Jewish cemeteries in Berlin .

Berlin has several Jewish cemeteries, including the huge Weissensee cemetery.

This is what Reuters says about the Berlin cemetery app—but I’m not sure where to get the app, or what platforms it serves. I did not find it on iTunes:
The smartphone programme leads visitors to the graves of Jewish figures such as philosopher Moses Mendelssohn, hotelier Berthold Kempinski, publishers Rudolf Mosse and Samuel Fischermen and also of those who committed suicide to escape deportation to Nazi death camps.
“There is an Internet code at the entrance of each cemetery which can be scanned by a smartphone and directly connects to the cemeteries’ website,” the cemeteries’ inspector Hilel Goldmann said.
The Internet programme is steered by a GPS navigation device and enables the visitors to plan their own ‘tour’ choosing among about 160 of the 150,000 graves in the three Berlin cemeteries, Goldmann said.

NYTimes online on reassessing and reaffirming Jewish Culture in Poland


This post also appears on my En Route blog for the Los Angeles Jewish Journal



Poster for a play called "Zyd, "or "Jew" by Artur Palyga, which deals with anti-Semitism. Photo (c) Ruth Ellen Gruber


By Ruth Ellen Gruber


The development of Jewish - and Jewish-themed—cultural expression and “production” in Poland and other countries is a theme that I have written about for many years, most notably in my book Virtually Jewish: Reinventing Jewish Culture in Europe (BTW—Virtually Jewish is now available as a Kindle e-book.)

I have focused in large part on the relationships between non-Jewish artists, musicians and others with Jewish culture and the way that they have used Jewish themes in their work.

But, in recent years, Jewish artists have also increasingly been exploring Jewish themes and topics, some of them as a way to explore their own identity.

In an article for the New York Times online the journalist Ginanne Brownell reports on this trend, writing about how Jewish artists are reasserting and redefining Jewish culture in Poland. Brownell interviewed me when I was in Poland last month and quotes me in the article—and she also quotes quite a few of my friends!

[A] growing number of Jewish Poles in the artistic sphere ... are exploring the dichotomy of being both Polish and Jewish in 21st-century Poland.

Writers, playwrights, filmmakers and visual artists are tackling everything from anti-Semitism and the Holocaust to coming to terms with their families’ Communist pasts and issues of identity.

“You cannot imagine Polish culture without Jewish culture,” said Pawel Passini, a Lublin-based director and playwright who last year won two awards at the Edinburgh Fringe Festival for his staging of “Turandot.” “I think most people are conscious of that, the problem is how to say it and let people deal with it.”

She goes on:

From the late 1980s — thanks to things like the Krakow Jewish Festival that will take place from June 29 until July 8 this year — Jewish culture, or what is perceived as Jewish culture, has become more popular in Poland. Ms. Gruber described this in her 2002 book “Virtually Jewish” as “familiar exotica,” where there is pseudonostalgia for Jewish culture like the theatrical shtetl world of “Fiddler on the Roof” or wailing, clarinet-infused Klezmer music.

Contemporary Jewish artists are broadening the definition of Jewish culture in Poland. Mr. Passini is a case in point, having become one of the most acclaimed young stage directors in the country. He admits that many of his works — including plays like “Nothing Human” about a young girl trying to find her roots and “Tehillim,” which used choreography based on Hebrew letters — have a focus on spirituality.

Read the full story HERE

Regarding Jewish Culture Festivals, as Anchors for Travel

 A version of this post originally appeared on my En Route blog for the Los Angeles Jewish Journal

Long line waits to visit Old Synagogue on the Night of Synagogues, 2011. Photo (c) Ruth Ellen Gruber



By Ruth Ellen Gruber

An article in The Forward advocates something that I have long urged travellers to do—use some of the many Jewish culture and other such festivals in Europe as anchor points for summer travels.
The article highlights just two festivals—the wellknown Jewish Culture Festival in Krakow, and the lesser known festival in Trebic, Czech Republic.
The Třebíč festival is made up of storytellers, musicians, historians and dancers. Most are local, though some come from nearby Prague; the well-known mix with newcomers, locals who are investigating their history by learning the music, dance and literature of the past.
Krakow and Třebíč offer an alternative way to feel what was lost and experience what remains. Festivals are a means for heritage-oriented tourists to engage in more than anguish; a chance for those who want to experience a center of Jewish culture to do so unabashedly and, in the process, meet locals of a variety of faiths gathered for a communal celebration of Jewish life.
Read more: http://forward.com/articles/156823/finding-jewish-life-in-eastern-europe/?p=all#ixzz1w3Ye4ja1
But—as I point out in the annual list of festivals that I compile for this blog  —there are dozens of Jewish culture and other festivals around Europe each year. My annual list includes only a fraction. There may be as many as 20 or 30 in Poland alone.

One of the most exciting—and one of the ones that actually has a direct connection to reviving Jewish life—takes place next weekend, June 2-3. It is the second edition of 7@Nite, or what I called the “night of the living synagogues” in Krakow.

On that night, all seven synagogues (and former synagogues) in Krakow’s historic Jewish district, Kazimierz, are open to the public, each one hosting a different event or activity that highlights contemporary Jewish life.

As I wrote in a JTA column last year, after the first 7@Nite:
I’ve never seen anything quite like it, even though I’ve followed the development of Kazimierz for more than 20 years—from the time when it was an empty, rundown slum to its position now as one of the liveliest spots in the city.
I’ve witnessed—and chronicled—the development of Jewish-themed tourism, retail, entertainment and educational infrastructure in Krakow, including the Jewish Culture Festival that draws thousands of people each summer. And I’ve written extensively about the interest of non-Jews in Jewish culture.
But Seven at Night was something different. For one thing, nostalgia seemed to play no role. And also, unlike many of the Jewish events and attractions in Kazimierz, this one was organized and promoted by Jews themselves.
It was their show, kicking off with a public Havdalah ceremony celebrated by Rabbi [Boaz] Pash that saw hundreds of people singing and dancing in the JCC courtyard.


Hadassah Magazine likes Jewish Heritage Travel


Hadassah Magazine gives a nice review to Jewish Heritage Travel and Jewish Heritage Europe!

"From touring shuls in Ukraine to visiting a Sarajevo Jewish cemetery, travel writer Ruth Ellen Gruber’s blog, jewish-heritage-travel.blogspot.com and Jewish Heritage Europe, jewish-heritage-europe.eu, a new aggregate site coordinated by Gruber, serve as complementary guides to the continent. Jewish Heritage Europe is a comprehensive resource, fostering interest in Jewish heritage sites for academia and tourists. The blog lends a personal touch, for example, by taking readers to a concert at a synagogue in Slovakia."


Jewish museums at the European Night of Museums, May 19

 This post originally appeared on my En Route blog at the Los Angeles Jewish Journal


Museum of Jewish Culture in Bratislava, one of the participating institutions. Photo (c) Ruth Ellen  Gruber

By Ruth Ellen Gruber


Jewish museums and other cultural institutions in a number of European countries will be open from dusk on Saturday until the wee hours Sunday as part of the annual European Night of the Museums. The Night of the Museums was founded in 2005, and more than 4,000 institutions in 40 countries took part last year, offering free entrance and special programs for visitors.

This year, Jewish museums and other cultural institutions in Spain, Serbia, Russia, Ukraine, Italy, Slovakia, England, Poland, France, and elsewhere are opening their doors as part of the event. There will be concerts, performances and special exhibits and programs as well as free visits to the museums and institutions themselves.

You can find information for some of the events on the Calendar of the web site www.jewish-heritage-europe.eu

More on Oswiecim Life Festival

Photo (c) Ruth Ellen Gruber


By Ruth Ellen Gruber

I was very glad to have gone to Oswiecim for the Oswiecim Life Festival, even though I missed the big final stadium concert Sunday night with Peter Gabriel as headliner -- it apparently was Gabriel's only appearance (perhaps first apperance?) in Poland, and I even saw the concert advertised on a city bus in Warsaw. Tickets were pricey, and there was a press center set up in the International Youth Meeting Center, next to the stadium.

I stayed at the Center -- run by a German foundation, it hosts groups on study tours to Auschwitiz and organizes programs on tolerance and dialogue. (When I went in for breakfast, two tables occupied by burly young men were designated "Hamburg Polizei.) The Center has been around since 1986, and I wrote about it in my 1994 book Upon the Doorposts of Thy House, whose final chapter is a day to day description of my being snowbound in Oswiecim for nearly 4 days, and a reflection on how the shadow of the Auschwitz camp looms over the city.

Saturday afternoon, the Center hosted an intense -- and hours-long -- panel discussion on hate speech in the Polish internet scene and what can be done to combat it. Tomek Kuncewicz of the Auschwitz Jewish Center told me that he would like to see future editions of the Life Festival include more workshops and other events like this.

Outside the theatre. Photo (c) Ruth Ellen Gruber


Besides concerts and a theatre performance, the Festival also sponsored public art projects -- a big mural, as well as other murals painted on walls around town that featured Polish and other figures of moral authority (Pope John Paul II, Vaclav Havel, Jacek Kuron, etc) with quotations from them about civil rights, tolerance, etc etc.

The one of the pope -- painted near the market square just opposite the city's main church -- specifically addressed anti-Semitism.

"Anti-Semitism is a Sin against God and Humanity"  Photo (c) Ruth Ellen Gruber


At the Life Festival, I did go to the free concert Saturday night in the Rynek, or town square -- a space that is slated for redevelopment this summer.

The concert began in cold rain -- only a handful of people braved the weather to hear the Israeli  Schahar Gilad band.  I went for dinner with friends and then came back for the final set -- a terrific performance by a legenday Polish blues rock band called Dzem, which has been around for 25 years or so..... The weather had cleared and the square was packed.

We stood at the very back of the crowd, on the edge of the square -- it was worth it just two watch this dude get into the music:



Life Festival in Oswiecim

 This post originally appeared on my En Route blog for the Los Angeles Jewish Journal


By Ruth Ellen Gruber

I’ve been in Warsaw the past week and just came down yesterday to Oswiecim—the little city in southern Poland outside of which Auschwitz is located. I’m not here to pay homage at the death camp (which I have visited a number of times) but to attend part of the third edition of the Oswiecim Life Festival, which is aimed at using (mainly) youth-oriented music and arts to promote tolerance. There are concerts (I’ll have to miss the biggie—Peter Gabriel and others Sunday night in the local stadium), performances, educational programs and public meetings. Last year, Matisyahu was the headliner—I wrote about it in a JTA article about the city of Oswiecim wrestling with its past.

Last night, I went with my friend Tomek Kunciewicz, the director of the Auschwitz Jewish Center, to a stage performance in the town’s theatre, which is part of the local cultural center. It was the Polish language version of the English play “Shirley Valentine,” and starred the great Polish actress Krystyna Janda. Ahead of the play was the formal presentation of a mural symbolizing the arts and peace—each year another, different mural on these themes is painted on a city wall and left there as a permanent reminder of the Festival.

 

This post first appeared in The Jew & the Carrot blog of The Forward

 

Stuffed Cabbage From the Polish Border

By Ruth Ellen Gruber

Photo: Mayhill Fowler

SEJNY, POLAND — The first time I visited Lithuania in 2006 I was overwhelmed by the extraordinary sensation that I was traveling through a giant Jewish deli that extended across the entire country. Blintzes! Latkes! Sour cream! Herring! Smoked fish! Black bread! And even — on the breakfast buffet of one hotel I stayed in — vodka, at 8 in the morning.

Recently I spent a week in the far northeast of Poland in the town of Sejny, so close to the border with Lithuania that my cell phone kept jumping back and forth between the two national networks.

I was there for a series of events hosted by Borderland Foundation, an organization that works toward inter-ethnic cultural and artistic interchange, along with promoting an understanding of Jewish culture, heritage and memory.

Throughout the week, a range of symposia, concerts and debates, hosted at an old Yeshiva and at a manor house where the Nobel-prizewinning Polish poet Czeslaw Milosz spent holidays in his youth, provided much food for thought. At the same time, a veritable feast for the palate was provided by two local chefs — Grażyna Łowiagin, who runs a country restaurant call Gospoda in the nearby village of Dusznica, and Wojtek Konikowski, who heads the kitchen at the Skarpa restaurant in Sejny — who served a range of wonderful local specialties each day at lunch and dinner. It was East European comfort food at its best: bliss for me, as I just can’t find this type of cuisine in Italy, where I spend much of my time.

Meals featured traditional regional dishes found in this border area of Poland and Lithuania. We had potato pancakes served with sour cream sauce; kartacze — huge, chewy potato dumplings stuffed with meat or white cheese; kiszka (kishkes; intestines) stuffed with potato; and soczewiaki and kakory — deep fried or baked potato cakes stuffed with lentils and kasha: they are so characteristic of the region that they have been registered on a list of traditional products. Soups included chlodnik (cold borsht with cream and dill); and cucumber soup. For dessert, there was a dry, semi-sweet cake called sekacz, shaped like a miniature tree.

One standout dish was a vegetarian version of golabki, or stuffed cabbage — a dish found in many varieties all over eastern and central Europe. In Yiddish it’s called holishkes and is often served at Sukkot, topped with a sweet and sour sauce made with tomatoes, apples and raisins.
Stuffed cabbage it is typically made with a meat filling, and I have to say that I never really liked my mother’s own recipe that called for a filling of minced meat and rice, but chef Konikowski at the Skarpa restaurant prepared a delectable version stuffed with kasha and mushrooms, accompanied by a sauce made from double cream and mushrooms.

I persuaded chef Jonikowksi to part with his recipe for kasha and mushroom stuffed cabbage. His quantities and measures are a little ad hoc, and he warned me that much of the recipe had to be carried out “to taste,” including how long to bake it at the end.

Filling:
 
2.2 pounds Kasha (buckwheat groats) (You may not need this much!)
 Salt, black pepper
 One egg
 3-4 tablespoons breadcrumbs
 12 ounces chopped fresh mushrooms

Boil the kasha, drain then let it cool (wholegrain kasha should take about 20 minutes)

Saute the chopped mushrooms in butter until tender (some cooks also like to sautéed chopped onions). Remove from heat and let cool down.

Add the egg, breadcrumbs and sautéed mushrooms (and onions if used) to the kasha, season to taste with salt and pepper and mix well.

Wrappers:
 
Remove the hard stalk and boil one whole head of cabbage until the leaves can be removed whole – white cabbage will do (and is what Konikowski used for the golabki he served us, but he says he actually prefers Savoy cabbage, which gives a more delicate flavor and texture.) This can take up to 40 minutes. Some cooks remove the outer layers as they become tender, leaving the inner ones to cook.

Remove any hard core from the leaves

Place stuffing on the leaves and roll them into envelopes, folding over the edges to put the “seam” underneath.

Place the rolls, seam down, tightly packed into a pan greased with butter, add water to just cover the rolls, cover and then bake for about 20 minutes in a 400 degree oven. You can then uncover and bake for another 10 minutes or so to let the rolls brown.

Sauce:
 
Saute mushrooms in butter; stir in sour cream or double cream until it reaches the “runniness” and consistency you prefer. Season with salt, pepper to taste and pour over the hot cabbage dumplings.
This post originally appeared on my En Route blog for the Los Angeles Jewish Journal

By Ruth Ellen Gruber

Hmm. I spent much of the morning in Warsaw today talking with an E-Book and App publisher about creating apps and interactive E-Books from my own writing,  on various platforms. So I am quite convinced that going mobile is the way to get around. Still, I’m somehow a little teentsy weentsy bit uneasy with “Anne Frank’s Amsterdam” —even though it clearly is a very serious project aimed to instruct visitors while showing the city. It is available on various smart phone platforms, and created by Anne Frank House. Maybe it’s just the promotional aspect of the project….From the Anne Frank House website:
discover for yourself Anne Frank’s and her contemporaries’ stories at thirty special places in the city with the Anne’s Amsterdam mobile application. The Anne Frank House has developed this App together with Repudo and LBi with the aim of making the city’s wartime history better known. Anne’s Amsterdam is available in Dutch, English and German and suitable for smart phones with iOS, Android and WP7.
With Anne’s Amsterdam you can view personal stories, film footage and unique photographs from the past at the same location today. There are images of Anne Frank and her friends on the Merwedeplein, German troops entering the city on the Rokin and the raid on the Jonas Daniël Meijerplein. This link between the past and the present enables you see the city in a different way by which events of the war come to life. You can collect the stories, films and photos for your digital album on your telephone. You can also send your items per e-mail and encourage others to use the App via Facebook and Twitter.
The items collected link to the website Anne Frank’s Amsterdam. A visual timeline gives in depth information and context. Personal stories, not previously published on the internet, from Jewish and non-Jewish eyewitnesses give a view of life during the occupation. The period before and after the occupation are also discussed, placing Amsterdam’s war time history in a broader perspective.
I will download it—hope it works with the iPad!